PUTREFIED REMAINS "EERIE - Spread The Hate"

PUTREFIED REMAINS "EERIE - Spread The Hate" CDEP 2012 (Metal Porn Production)

Necroabyssious and his VARATHRON legacy should be proud. This EP is one of the most aptly justified attempt at honouring their creations. Look at the cover art before you start reading. Doesn't it 'eerie-ly' familiar? An unused proposed cover art for a VARATHRON release maybe? Haha. Far-fetched, but the idea is there. So it musn't be all that wrong. Now push the 'play' button. Ok, everything is clear now. Before anyone making an attempt of dissing this as another worthless carbon copy release, please consider these two major factors: A) The band doesn't hide the fact that it is their homage to that distinctive Hellenic sound B) They do it blatantly, considerably SO well. The Greek black Metal characteristics are what most local bands in the 90's tried to emulate back then, but many succumbed to mediocrity, for whatever reason unknown. PUTREFIED REMAINS finally got it done right this time, but with that thoughts of getting anything a bit different here thrown into the bin. None to be found here. Those song structures will reminds you of VARATHRON, the drum kit might be bought from any Greek studios producing Metal in the 90's garage sale, the line-up might be distancing themselves from other releases, Necroabyssious might be using another pseudonym here, etc.; those kind of thoughts. Worshippers of "His Majesty At The Swamp" and "Walpurgisnacht", this EP is a must. I thoroughly am delighted listening to this. They don't surface as much these days, let alone being (faithfully) done this well.

metalporn666@gmail.com

ATOMICDEATH/BLOODSTONE "Hellish Nuclear Destruction"

ATOMICDEATH/BLOODSTONE "Hellish Nuclear Destruction" split CD (Bloods of War Records)

Back for it again, ATOMICDEATH bombed us with another release, this time with the Singaporeans BLOODSTONE. A thrash Metal split, obviously. ATOMICDEATH wasted no time restarting what they have unfold in "Missile Massacre", glorious feast of simplified Slayer-esque thrash Metal with rigid underground Metal spontaineity. They sounded a bit more direct on the thrashing approach here, not even an ounce of that hunger being left out. I have nothing much to complaint about them, furthermore with the local scene nowadays with its sudden surge of thrash Metal inclined bands, I'll pick ATOMICDEATH out from the bunch without a single regret. So please, give us more of that plutonium digesting gesticulated Metal, no problem. BLOODSTONE is the more crude version of thrashing madness here, more chaotic, more primitive too. Probably leaning more on the European side of it I think. BLOODSTONE is just, alright to me. They done it quite good I think, but perhaps lack that compositional edge the ATOMICDEATH guys have in abundance. If this split is a war, then ATOMICDEATH is the victor, with considerable margin I might add.

http://bloodofwarrecords.blogspot.com

bloodofwar_records@yahoo.co.uk

VISITANT "The Sword Without Eyes"

VISITANT "The Sword Without Eyes" (Celestial Frequency)

It took BARELY 13 years to see the follow-up from VISITANT after their split-tape with TASYIM came out in 1999. And right until the unleashing of "The Sword...", VISITANT for me harbours the words aggressive, fast, epic, with a certain rawness in it. Fast forward a decade plus 3 more years, what can you make of VISITANT then? If you put the materials on the split-tape and this MCD side by side, then among the initial findings would be in terms of the productions of course. That split-tape is almost a rehearsal recording left untouched to preserve its primeval nature. Here in "The Sword..." is what would probably be one of the better production job for a local release indeed. Perhaps that long hiatus has its own blessing indeed. "The Sword Without Eyes" is the opening track too, and when it starts there's this instant VISITANT vibe injected, you know it if you've heard them before. As the proceeding gets going, by then you'll notice what is VISITANT, and what was VISITANT. The band incorporates a lot more of that 'epicness' nowadays, made possible mostly due to the fact that synths are an integral part of their compositions from this point on, and surely the possibilities of the productions itself. The aggresiveness is still there, yet it is to my surprise that I could even say this MCD might appeals to the current listeners of pagan, heathen Metal wave/front/whatever. I'm missing that certain 'rawness', but they, as do you and me, aged, so that might be the reasoning. The 'new' VISITANT emerges gradually right until the last song. Hell, "Tales of the Past II" might even be a favourite campsitesittingbythefire hit, and in no means I'm joking here. VISITANT nowadays will surely garner a wider listener base, only those hopeless narrow-minded romantics like me (you?) will reminisce, at least a bit; at their raw youthful exuberations back then. Future release(s) demanded, at the meantime you'll find not much of an excuse to skip this one out, a very solid and convincing output.

www.facebook.com/Visitant.Official

www.facebook.com/CelestialFrequency

BESTIAL HORDES "Nuclear Metal Lust"

BESTIAL HORDES "Nuclear Metal Lust" (Evil Dead Production)

My second experience with these perverted psychos finally, and not sure whether it's a good sign or the opposite, I find "Nuclear Metal Lust" to be notches better than that split with HEREAFTER. One look at the cover and you will know what to expect, rightly deserving to say that it complements the release to the dot. Here are 5 tracks of rabid black thrashing Metal madness, and I emphasize on the word 'rabid' thoughtfully. These guys sound like they are in a hurry to bulldoze everything, or anything in front of them, ready to charge with nothing to spare. This sense of urgency is prevalent throughout the entire length, a union of souls focused on nothing else than bashing up some fucked up black thrash Metal fury. What about the drumming here then? Apparently it's way better than those on the split, thankfully, yet some kind of sloppiness are there to be heard on releases like these, which doesn't bother with tightness much apart from measuring the opening of the labias. Unlikely to find those fixated on the South American sounds to run away from this, seriously.

www.evildeadprod.com
http://bestialhordes.blogspot.com

NEFTARAKA "Eternal Harsh"

NEFTARAKA "Eternal Harsh" (Apocalypse Venomous Recs.)

You be damned. You and I. The new NEFTARAKA is dawning upon us. "Eternal Harsh" did kept me anticipating. The rawness of "Law Ist Law" still lingers to say the very least, nothing unexpected if I did prepare with some sort of blueprint, readying for what is to be unfolded as "Eternal Harsh". Meticulously considered, this is what I could bestow upon as the most 'hearfelt' (a romanticised?) collective of NEFTARAKA opus so far. The compositions are, while still retaining that certain rawness, have now developed into some sort of dark melancholia deeply embedded within those blackening structures. This, amidst flirting a little with their straight-forward purpose, succeeded in making them driven more deeply into the listening senses, and this; the knack of identifying significant verses and manipulating it for that maximum impact, has been promised in onw way or another on their previous outputs. Those reached a new height in "Eternal Harsh", bare witness with those hateful yet sorrowfilled endeavours. NEFTARAKA could be one of Malaysia's most potent Metal exports, and with a weapon like "Eternal Harsh", nobody needs further arguing. A single wrong track-listing aside, this nicely done cassette tape release deserves your utmost attention. It shouldn't be limited to 150, and should be made available in various formats. All hail "Eternal Harsh", it could be the only Metal album of black arts from the local scene you'll ever need this 2010.

myspace.com/avenomousrecords

myspace.com/necroneftaraka

SINGHASARI "Promo 02/10"

SINGHASARI "Promo 02/10"
Nationalists bands are everywhere, even in Malaysia. But that's not the topic of discussion here, my reviews are; always. On the music itself, this 3-track promo is what I would refer to as Eastern black Metal, in and out. You should look no further than AS SAHAR (again) for inspiration. Listen to the guitars, they're such a norm in the local scene, or to some extent the primitive-inclined Southeast Asia sounds. SINGHASARI displays the elements that possibly only the eastern bands will proudly call their own, and there's no intention of straying into other territories at all. They stand comfortably in and within the realm, so much that I think that's their intention anyway, coupled with the Malay-lyrics and such. This promo is not for sale apparently, and is limited to 30 copies. Enquiries are to be forwarded to these addresses.
antichristwar666@yahoo.com
myspace.com/singhasari

DARAH & MARUAH PST

DARAH & MARUAH PST Compilation CD-R

A compilation of the bands within the Darah & Maruah PST (sorry, I know shit about it, so don't ask). Again, this is a promotional compilation and is not for sale. Six bands all in all, namely VETIS, DEXEKRATORS, STEEL CRESCENT, WRAITH, MARUAH, and CHAINS. Ok, the bad sound will affect my review nevertheless, it's important to not that. I found DEXEKRATORS, VETIS sound a bit similar to each other, VETIS being more 'thrash' while DEXEKRATORS has this 'bestial' vibe going on. STEEL CRESCENT is a heavy Metal band that stays generic and ordinary-sounding. MARUAH is a kind of punk/oi! band with penchant for heavy Metal-ness. CHAINS are blessed with the better production here, and they're thrash as predictable as it could be. WRAITH presents a cover song, so I couldn't be assuming just by that, isn't it? It takes more that this Promo for me to make a properly thorough listening. This is not enough for now.

antichristwar666@yahoo.com