SPELLCASTER "Spellcaster"
The advent of ‘bedroom bands’ is something that’s a norm these days, and while the growing numbers are admirable, sightings of useless craps emerging are nothing unexpected. Well, that’s the case with all releases anyway isn’t it. Spellcaster was born as a creation moulded from the tiniest of ‘studios’ imaginable. Here’s a journey into the mind behind it, into realms of musical landscapes evoked from his very own experiences and taste, fruiting a product of instrumental Metal of the various kind, when the lack of vocals are substituted with the instruments taking the turns being the lead that the other parts and bits should follow. I’m very sure there’s only guitars and programming samplers (loads of ‘em) being utilized here in accordance with the creator’s capabilities of utilizing them. Fragments of Metal from various kinds are, as I’ve stressed, everpresent; there’s no pin-pointing the exact direction of Spellcaster. Here and there you’ll hear this and that. The experience is somewhat akin to that of later days Nomicon, if you need some reference, probably something to do with the frigid, numbing sensaural claustrophobia by listening to this. Spellcaster’s music is progressive and experimental without (fortunately) leaving the aggressiveness behind. But this, the tendency of being here and there all over the place; plainly kill the focus if you try to imply it. You’ll end up being taken on a topsy-turvy ride. The programmings used are OK I guess, but those keys; whenever they’re in the lead, very much reminds me of ancient 8-bit or 16-bit video games. Perhaps geared towards the ‘musician-at-heart’ crowd, though, this release is. I don’t know. Your reviewer here always take pride in being a listener, not a musician; and those listening experiences are what you’ll always going to read should you even bother doing it.
http://www.myspace.com/crypticspellcaster
experimental_spellcaster@yahoo.com
The advent of ‘bedroom bands’ is something that’s a norm these days, and while the growing numbers are admirable, sightings of useless craps emerging are nothing unexpected. Well, that’s the case with all releases anyway isn’t it. Spellcaster was born as a creation moulded from the tiniest of ‘studios’ imaginable. Here’s a journey into the mind behind it, into realms of musical landscapes evoked from his very own experiences and taste, fruiting a product of instrumental Metal of the various kind, when the lack of vocals are substituted with the instruments taking the turns being the lead that the other parts and bits should follow. I’m very sure there’s only guitars and programming samplers (loads of ‘em) being utilized here in accordance with the creator’s capabilities of utilizing them. Fragments of Metal from various kinds are, as I’ve stressed, everpresent; there’s no pin-pointing the exact direction of Spellcaster. Here and there you’ll hear this and that. The experience is somewhat akin to that of later days Nomicon, if you need some reference, probably something to do with the frigid, numbing sensaural claustrophobia by listening to this. Spellcaster’s music is progressive and experimental without (fortunately) leaving the aggressiveness behind. But this, the tendency of being here and there all over the place; plainly kill the focus if you try to imply it. You’ll end up being taken on a topsy-turvy ride. The programmings used are OK I guess, but those keys; whenever they’re in the lead, very much reminds me of ancient 8-bit or 16-bit video games. Perhaps geared towards the ‘musician-at-heart’ crowd, though, this release is. I don’t know. Your reviewer here always take pride in being a listener, not a musician; and those listening experiences are what you’ll always going to read should you even bother doing it.
http://www.myspace.com/crypticspellcaster
experimental_spellcaster@yahoo.com
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